Pure Potential or a Pristine Problem? Pantone's Snowy Colour of the Year Faces Criticism.

Cloud Dancer selected as Pantone's Colour of the Year
Cloud Dancer has been named Pantone's 2026 Colour of the Year.

For anyone who has spent a long time living in rental properties, confronted by the same landlord-approved magnolia walls and yearning for injecting personal style to their home, Pantone's 2026 Colour of the Year might be perceived as a disappointing choice.

This time around, the renowned color company has designated a shade of white as its annual hue.

To be precise, the shade is called Cloud Dancer – a white described as "lofty" and "airy" which "serves as a emblem of calming influence in a society re-learning the worth of stillness".

It marks the first time white has been chosen as the Colour of the Year, and it has raised more than a few eyebrows.

As stated by Pantone, Cloud Dancer "is not just a colour, it's a philosophy" and signifies a shared yearning to slow down, recalibrate and achieve serenity after years of visual overload.

An all-white interior using the Cloud Dancer shade
An entirely white application of Pantone's Cloud Dancer – soothing in theory, anxiety-inducing if you consume red wine or coffee.

But some critics have dubbed the decision as "Pantonedeaf", contending that elevating minimalist and pristine white spaces can feel distant from the more compact, lived-in homes most people inhabit.

Some observers contend that positioning white as an ideal carries subtext related to race, causing discomfort amid ongoing political and cultural discussions about inclusion and diversity.

Clinical or Calm?

Designer Chris Beaumont says the backlash transcends aesthetics, stating that white bears deeper meanings and is rarely a neutral choice.

"White is a signal," he says, shaped by a ten-year period of minimalist celebrity interiors – most famously Kim Kardashian's austere home – that came to represent "affluence, order and removal from disorder".

He explains that white is "not intended to inspire but being careful not to cause upset", with Cloud Dancer personifying "austerity, moral minimalism and the idea that impartiality denotes goodness".

Design critic Chris Beaumont
Chris believes Pantone's choice for 2026 is "tone-deaf".

Beaumont points to the global health crisis as a defining period in how people relate to their homes.

"Suddenly they became our workspaces, sanctuaries and sources of stability," he says, noting that against this backdrop, directing the Colour of the Year towards "further aesthetic barrenness feels rather out of step".

Instead of offering calm, he believes white now threatens to intensifying "a feeling of bleakness", especially when combined with cool, clinical lighting.

'Sterile Sensations

An interior designer, a Surrey based design expert, agrees and says Cloud Dancer "is not perceived as a colour" and is "completely rejected for me".

While it may work in highly minimal or architectural spaces, she says pure white shades rarely foster calm in real homes.

"An image of tranquility in a professional photo can readily seem clinical at home," she clarifies.

"White can feel harsh and unforgiving and you wouldn't wish your home to emit a medical atmosphere."

Interior designer Lara Clark
According to Lara using white in real homes can generate a clinical vibe.

She continues that "living spaces should spark joy and feel warm and lived-in, and this shade feels quite distant from that."

Beaumont expresses a desire that homeowners will disregard the Pantone Colour of the Year in preference for "unabashed joyful interior design", using vibrant hues to showcase individuality.

The vice president of the Pantone Colour Institute commented that people "bring different feelings" to the meaning of the colour, but it was selected as it "integrates perfectly with everything around it, offering a refined neutrality that feels intentional and versatile".

Since its launch in 2000, Pantone's Colour of the Year has evolved into a powerful industry signal.

Past choices have included the optimism of Living Coral, the serene assurance of a deep blue, the vibrancy of Viva Magenta, and more recently more gentle, feeling-based tones like Peach Fuzz.

These colours extend beyond trend forecasts - they show up in fashion collections, cosmetic products, home decor, packaging and even technology, influencing how products are sold and how consumers imagine the coming year.

A past Pantone-inspired cosmetics collection
Cosmetics previously released a collection based on Pantone's 2015 Colour of the Year - a rich red-brown.

A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may appear simple, "this specific hue seems soft and elegant rather than stark".

In contrast to those who say the colour is boring, Robinson sees it as "adaptable" and says it's best used in "bedrooms and living areas where you want a peaceful, restful ambiance".

"Should you don't want to repaint, you can introduce the colour into a room with cushions, blankets and curtains."

Pantone's previous Colour of the Year
Pantone's Colour of the Year for 2025 was a soft brown which "encourages a authentic and natural approach to luxury".

Design expert James Mellan-Matulewicz says although he was surprised that Pantone's pick this year was "essentially the absence of colour", it is a bit like vanilla ice cream, in that "everyone likes it but it's not a top choice".

He can see its benefits, noting that white can work particularly well as a background for architectural details like panelling and arched doorways which is a "growing trend in contemporary houses".

In apparel, white has long been a basic rather than a bold declaration and as a Colour of the Year it presents a different challenge to designers more accustomed to vibrant colors.

Luxury stylist Oriona Robb says elevating white feels "not focused on newness and more about intention", indicating a shift towards sophistication after years of trend overloads.

Fashion stylist Oriona Robb
According to Oriona white is a hard colour to wear successfully in fashion.

"White forces designers and those who wear it alike to focus on form, scale and quality, there's really no room for error," she explains.

But she continues that it also carries assumptions around body confidence, lifestyle and advantage, stating: "When white is treated as something only a narrow group of people can wear well, it becomes exclusionary."

She says the fashion world is already aware of the problematic connotations tied to celebrating white as an ideal, particularly during ongoing conversations about representation and approachability, and the real test will be whether "brands address that complexity authentically, or simply glamorize the colour".

A Reflection of the Times

Stylist Katie Malik admits the choice initially shocked her, given Pantone's history of bold colours, but says it mirrors a authentic change and fits within a broader sentiment of "quiet luxury

Jennifer Hall
Jennifer Hall

Lars van der Heijden is een ervaren logistiek expert met een passie voor optimalisatie en duurzame supply chain strategieën.